I try to put myself in the perspective of what fans will enjoy or appreciate and be creative in how we’re telling that story. Being inquisitive and unafraid to throw even the craziest ideas out really help with that creativity.
Sara Campbell
Coordinator, In-Game Communications
National Hockey League (NHL)
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A typical day for us is actually a night unless it’s a weekend or holiday.
In our in-game role, we start two hours before puck drop – the focus is on doing what we can to prepare for the game(s) ahead. On any given night we have between one to 15 games, so we do as much prep work ahead of time to help us react to what we can’t prepare for.
Our role is broken up into three different segments:
Our night ends when we can put a final bow on all the games contested that day.
There is a team of us who work together every night. We bounce ideas around ideas and build off each other to make sure we don’t miss any angles or leave any stone unturned on goals/assists/points/shutouts that happen. A communicative and team atmosphere is so important. I think High School Musical wrote a song about it – we’re all in this together.
I spent a lot of time working within junior teams, so they truly do hold a special place in my heart. Most operate with very limited resources in comparison to professional teams/leagues – functional areas that are broken up into multiple different departments in the NHL can be just a part of someone’s job in the CHL.
Working in an environment like that with the Wolves and Knights allowed me the opportunity to get experience in a lot of different areas.
For someone starting out, it’s an amazing playground to get your feet wet and figure out what you like to do. It was a place where I could take on the projects I wanted, to help build the skills needed for a role in communications at the professional sports level.
The environment in the NHL is so much bigger. The stakes become a lot higher – the size and scope of what you’re doing increases substantially.
Early on in my internship with the Canucks, I learned just how many eyes are on the product being delivered and how important attention to detail is. It’s also an incredible environment to learn in – you are surrounded by such talented individuals every day.
The best storylines are the ones that write themselves. The ones we just get to share with fans or provide context around.
For me, I find being as immersed as possible is when I’m at my best. When I’ve worked 40-50 games in a week and am in tune with how players/teams are playing is when things flow a lot smoother. Sometimes even a day or two away consecutively can throw that off.
I like to do as much research as possible beforehand. As games progress, the unexpected always happens, so this way we can easily react because our tracks are covered in other areas.
I try to put myself in the perspective of what fans will enjoy or appreciate and be creative in how we’re telling that story. Being inquisitive and unafraid to throw even the craziest ideas out really help with that creativity.
Unlike when I was working for a team, we’re focused on all the games instead of just one. The content to pull from grows, but the importance to hit all stories regardless of whether they will go viral is important.
The best or most engaging stories are the ones capitalized on in the moment. Social media moves so fast, so being timely and relevant is important.
Listening and learning from what fans are asking for or reacting to is also an important part of developing good content. The comment section can be a scary place, but it’s also one where you can learn what fans want.
Sports communications is such a fast-moving landscape – I had one PR director describe it as organized chaos, so I think it’s important to be able to be adaptable and ready to pivot or shift to handle whatever comes your way.
Working well with others and being able to develop strong relationships with those around you – whether it’s within your organization, with media, or other external stakeholders is integral. The better those relationships are the easier it is to be able to effectively do your job.
With an environment that is always changing, I think you have to be ready to change yourself. To be open and always learning.
It takes a lot of networking, hours of hard work, failed attempts, and doing everything you can to build your skillset/resume. I wrote a blog post about it called One Hundred and Twenty, talking about the 119 failed attempts it took before landing my current position.
For young women looking to break into the sport industry, my advice is that there is room for you exactly how you are. To stay authentic. To not to blend into a mold of what you think a woman in sport should be. Being unafraid to use your voice, to find a community of people that will champion you, and to do the same for other women.
I hope to leave things better than I found them – and my hope is to do that with all facets of my life, in sport and beyond.
Sara Campbell, In-Game Communications Coordinator for the NHL, works hard every single night to ensure that the content idealized and produced will continually engage hockey fans from all over the globe. In her role, creativity is a key factor. Coming up with and pitching even the craziest of ideas is a step in the right direction of immersive storytelling. Most importantly, Sara places herself in the perspective of a fan to truly understand how they will enjoy and appreciate the creativity behind the stories she is putting forth. In the changing environment that is sport communications, Sara is doing everything right in order to stay ahead.