Joe DiMaggio appears near the end of Mrs. Robinson, but Simon and Garfunkel's 1968 hit was never intended as a baseball anthem. The song is closely associated with the film The Graduate and the album Bookends, a setting of social dislocation and uncertainty very different from a celebratory ballpark performance. The DiMaggio reference works precisely because an admired sporting figure seems to belong to an older moral vocabulary.
Paul Simon has explained that the former Yankees outfielder represented something he considered missing from public life. MLB's historical discussion of the song identifies DiMaggio as a symbol of grace and national solidarity in Simon's imagination. Whether listeners share that view of the athlete is a separate question.

























